As of now, the submissions for the Best International Feature category at the Oscars in 2025 include a diverse and captivating range of films from around the globe. Each of these movies brings a unique cultural perspective and storytelling approach, reflecting the richness of international cinema. Here’s a review of some of the most notable entries vying for the prestigious award.
- “Anatomy of a Fall” (France)
Directed by Justine Triet, Anatomy of a Fall has been hailed as one of the most compelling courtroom dramas in recent years. The film revolves around the mysterious death of a man and the subsequent trial of his wife, whose ambiguous role in the incident keeps the audience on edge. Triet’s direction masterfully blends psychological tension with legal intricacies, making the audience question the truth at every turn. The performances, particularly from Sandra Hüller, are riveting, capturing the complex emotions of a woman trapped in a web of suspicion and societal judgment. This film not only explores the nuances of the legal system but also delves into the darker aspects of human relationships, making it a strong contender for the award. - “The Teacher’s Lounge” (Germany)
Directed by İlker Çatak, The Teacher’s Lounge offers an intense and thought-provoking look at the dynamics of power, trust, and morality within the educational system. The story centers on a teacher who becomes embroiled in a scandal at her school, forcing her to confront her principles and the blurred lines between right and wrong. Çatak’s direction is sharp, focusing on the claustrophobic environment of the school and the escalating tension among the characters. The film’s exploration of ethical dilemmas and the impact of personal decisions on a larger community resonates deeply, making it a powerful entry from Germany. - “The Promised Land” (Denmark)
Nikolaj Arcel’s The Promised Land is an epic historical drama that recounts the true story of a Danish soldier who becomes a central figure in the colonization of Greenland. The film’s grandeur is evident in its sweeping landscapes and meticulous attention to period detail, but its true strength lies in its exploration of the complex relationship between the colonizers and the indigenous population. Arcel handles the subject matter with sensitivity, avoiding the pitfalls of romanticizing or demonizing either side. The film’s lead, Mads Mikkelsen, delivers a performance that is both commanding and introspective, embodying the moral conflicts at the heart of the narrative. - “Perfect Days” (Japan)
From legendary director Wim Wenders, Perfect Days is a meditative and poetic exploration of loneliness, connection, and the passage of time. The film follows a Tokyo toilet cleaner whose simple, repetitive life gradually reveals deeper layers of meaning and emotion. Wenders’ direction is restrained, allowing the beauty of everyday moments to shine through without resorting to melodrama. The film’s slow pace and minimalist approach might not appeal to all audiences, but its profound reflections on life and human connections have resonated strongly with critics. Perfect Days stands as a testament to the power of quiet, introspective storytelling. - “Io Capitano” (Italy)
Matteo Garrone’s Io Capitano is a gripping and harrowing tale of two young African migrants’ perilous journey to Europe. The film is a stark and unflinching portrayal of the refugee crisis, capturing the desperation, hope, and unimaginable hardships faced by those seeking a better life. Garrone’s direction is both compassionate and brutally honest, shedding light on the human cost of migration policies. The performances, particularly from the young leads, are heart-wrenching and authentic, making the audience acutely aware of the stakes involved. Io Capitano is a timely and important film that brings the refugee experience into sharp focus, demanding empathy and action. - “Fallen Leaves” (Finland)
Aki Kaurismäki’s Fallen Leaves is a charming and melancholic romantic comedy that blends the director’s signature deadpan humor with a deep sense of longing and nostalgia. The film tells the story of two lonely individuals who find each other in the midst of their mundane lives. Kaurismäki’s minimalist style and quirky characters are on full display, creating a film that is both funny and profoundly moving. Fallen Leaves is a gentle reminder of the beauty of human connection, even in the most unlikely circumstances, making it a delightful addition to this year’s submissions.
The 2025 Oscar race for Best International Feature is shaping up to be a highly competitive and diverse field. Each of these films offers something unique, whether it’s through powerful performances, innovative storytelling, or profound thematic exploration. As the awards season progresses, it will be fascinating to see which of these entries will resonate most with the Academy and take home the coveted prize.
The views expressed in this article are the author’s own and do not necessarily reflect Coverpage’s editorial stance
